Search: Müpa

Elgar: Enigma Variations, Op. 36 Britten: Soirées musicales, Op. 9

This festive concert by Concerto Budapest, conducted by former Kurtág student András Keller and featuring world-class soloists, presents a cross-section of the 100-year-old György Kurtág's oeuvre.

Elgar: Civic Fanfare Purcell: Abdelazer, Z. 570 – Overture and Rondeau Britten: The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34

The rare combination of organ and accordion promises vibrant colours, magical harmonies and sparkling rhythms.

Wandering Gypsies leading adventurous lives and gallant yet ridiculous nobles abusing their power are the main characters of the animated film Szaffi. This adaptation of Mór Jókai's classic novel The Gypsy Baron is by now familiar to several generations of Hungarians.

Silver Bear-winning filmmaker Dénes Nagy spent four years following György Kurtág’s everyday life with his camera. The resulting documentary, produced between 2021 and 2025, far exceeds the conventional boundaries of the genre.

A Voices of the Future – A jövő hangjai Magyarország egyik legnagyobb, középiskolásokat megszólító kulturális programja, amelyben ötszáz diák vállalkozik arra, hogy hónapokon át együtt készüljön, majd a Müpa színpadán adja elő a zeneirodalom kiemelkedő alkotásait.

BACH / BEETHOVEN / STRAVINSKY // Tetzlaff / Keller J. S. BACH: Contrapunctus XIX (A fúga művészetéből, Luciano Berio feldolgozásában) BEETHOVEN : D-dúr hegedűverseny, op. 61 J. S. BACH: Két prelúdium és fúga a Das Wohltemperierte Klavierből (Stravinsky feldolgozásában) STRAVINSKY: Tavaszi áldozat

Season Ticket ‘Lehel’

Műsor: Beethoven: Esz-dúr szonáta, op. 7 Beethoven: Hat bagatell, op. 126 Schubert: B-dúr szonáta, D. 960

This concerto has all the attributes to make it a genuine celebration for the audience.

Bea Palya’s series entitled “My Silks” has been running with great success since 2015. At these concerts, where she also performs with her excellent band, Palya always introduces a female vocalist less familiar to the Hungarian audience. The events focus on bridging musical worlds and the meeting of two voices, as the artists perform both their solo material and together in the form of duets.

Confinement and isolation, freedom and endlessness. FrenÁk’s emotionally charged choreographic structures use dynamic forms of movement to gain visibility and captivate the audience. The performance moves on the borderline between harsh reality and imaginary visions, where listening to our inner voices demands an unconscious balancing act on the edge of madness.

Nosferatu returns to walk among us: the renaissance of vampire stories on screen and stage is no coincidence, as they still encapsulate our deepest fears, desires, and questions about mortality.

Taking the stage together with one of the world’s most celebrated orchestras at this concert will be two illustrious sons of musical families: Paavo Järvi, who hails from a family of conductors, and Alexandre Kantorow, a pianist born to violinist parents.

Age: 0-3 year

Purcell: Music for the Funeral of Queen Mary – March, Z. 860 Elgar: Cockaigne Overture, Op. 40 Britten: Peter Grimes, Op. 33a – Four Sea Interludes

Szüts Apor – zongora Budafoki Dohnányi Zenekar Vezényel: Hollerung Gábor

Pursuing happiness, love and affection through countless adventures across this great wide world, but still eventually finding a final peace in the arms of his beloved, Peer Gynt is one of the most complex characters in 19th-century drama.

This full-evening "crime story" of a dance drama takes as its starting point Barcsai's Lover, one of the most estimable of Hungary's balladic treasures. After cuckolding her husband, a wife awaits a terrible punishment. But how did things actually get to this point?

Works by Bach, Vivaldi, Daquin, Mozart, Vierne and Antalffy-Zsiross

Why is the 400-year-old story of Romeo and Juliette, the world’s best known romantic tragedy, still so relevant today? Because love is eternal, the rebelliousness of youth persists, and the world is still filled with inexplicable contraditions.

Recirquel’s new production, Paradisum explores the myth of rebirth following the silence of a destroyed world, where the means of communication is the body, and the only common language is movement.