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In 2024, Emir Kusturica & The No Smoking Orchestra returned to perform at Müpa Budapest. The night was one big party. Was it what we would call folk punk? Balkan rollicking? Categories are meaningless. Kusturica is very consistent in his use of music in his films. (Sometimes the songs even become hits.)

What music accompanied the life of the Swedish royal court during the reign of Charles XI in the 17th century? Ensemble Correspondances, one of France’s most renowned early music formations, brings the rarely heard treasures of Scandinavian Baroque to Budapest for the first time.

It did not take long for a chance meeting between Krisztina Tóth, a highly popular, multi-volume poet and writer living in London, and Nikoletta Szőke, a vocalist who has spread her wings on the Hungarian jazz scene in recent years, to lead to a fruitful collaboration. Their uncompromising artistic approaches inspired a unique, remarkably exciting and singular experiment rooted in the dialogue between poetry and song.

FRANCIA ROMANTIKUS ÁRIAEST // Henric / Vashegyi BERLIOZ, BIZET, BONIS, CLAPISSON, DAVID, FEVRIER, GODARD, GOUNOD, JONCIERES, MASSENET, OFFENBACH, OLAGNIER művei

The MET’s contemporary highlight of the 2025-2026 season centres on, arguably, art history’s most famous painter couple, Frida Kahlo and Diego Rivera.

The MET’s contemporary highlight of the 2025-2026 season centres on, arguably, art history’s most famous painter couple, Frida Kahlo and Diego Rivera.

“Loved to the gallows” could be an alternative title of Umberto Giordano’s opera, which serves up a grand historical tableau, a love that even defies death, and, last but not least, three brilliant leading roles.

“Loved to the gallows” could be an alternative title of Umberto Giordano’s opera, which serves up a grand historical tableau, a love that even defies death, and, last but not least, three brilliant leading roles.

Now 89 years old, and active since the 50s, the Brazilian Hermeto Pascoal is one of the biggest living legends in the Latin jazz world, yet he has never performed in Budapest before. He started out making music with the stars of the local scene in the 60s, and was making records with Miles Davis by 1971.

Gustav Mahler 3. (d-moll) szimfónia A koncert az Iván mesél sorozat része.

Robert Schumann 3. (Esz-dúr, „Rajnai”) szimfónia, Op. 97 Szünet Richard Wagner A walkür – Wotan búcsúja és tűzvarázs A koncert az Iván mesél sorozat része.

In 2026, Müpa Budapest will be spotlighting Hungarian jazz talent through the Jazz Showcase for the nineteenth year running. Alongside established performers, countless young artists have been introduced in recent years to dazzle the jury and captivate audiences. Now, for this special occasion, they return as a one-of-a-kind big band, like members of a large family.

Three stories taking place over the course of a single night in Memphis, seen from three different points of view. Jim Jarmusch has come up with an incredibly exciting storytelling technique for this film. (He has often chosen unusual narrative forms in his later works.) Furthermore, he only reveals it in the second part of the triptych.

We have made an exception in this case and will be admitting viewers even if they haven’t brought any rice, candles, newspapers or toilet paper to the screening. In fact, we’ll even let you in without wearing one of the costumes popular among hard-core devotees of The Rocky Horror Show. The musical that inspired the film had already gained its own cult following in theatres as early as 1973. This is a parody that draws its humour from sci-fi and horror films.

Any effort to present the finest nuances of the Hungarian language will inevitably turn to its poetry, and while the question of whose poem to select can be open to debate, the list of contenders must invariably include Attila József.

In the original language, with Hungarian subtitles. The discussions before and after the screening will be conducted in Hungarian.

Just like buildings, pieces of music are constructed from small component parts. From sounds, and from tones, obeying the universal laws of music – and sometimes breaking them. But how are the building blocks of music assembled? In what way do individual instruments and solo parts support and complement each other?

And then something suddenly happens; something extraordinary that makes the entire industry and reading community take notice at once: the novel entitled Lesz majd minden (Everything Shall Be) is published by two identical twins, mainly known until then as playwrights.

Silver Bear-winning filmmaker Dénes Nagy spent four years following György Kurtág’s everyday life with his camera. The resulting documentary, produced between 2021 and 2025, far exceeds the conventional boundaries of the genre.

It has been 30 years since Mónika Lakatos first emerged on the Hungarian and international music scenes and started building bridges between cultures through her art: an emblem and authentic representative of the Gypsy musical tradition, she has also become an integral part of the Hungarian music world as a whole.

In 2000, Lars von Trier broke free from the Dogme 95 movement he had helped create, and immediately won the Palme d’Or at Cannes.

After recording operas by Rameau and his contemporaries, György Vashegyi now conducts Armide, the masterpiece by Louis XIV’s court composer, Jean-Baptiste Lully. Lully’s final lyric tragedy premiered in 1686 and was performed at the Paris Opera until 1766, when it was overshadowed by Gluck’s version of the story based on the same libretto.

The Hungarian National Dance Ensemble’s 2024 production conceived during its time as Ensemble of the Season offers a glimpse into the unbridled and cheerful fun of the carnival.

Many people were surprised when, after a successful two-year streak during which they won the A38 talent competition known as Talentométer and conquered stages across Europe, including Müpa Budapest, makrohang split up. They then caused another, more pleasant surprise with the news in 2023 that they would be reviving what they themselves call their “jazz for metalheads” sound.

Like Woody Allen, Martin Scorsese is passionately in love with New York City. There is no doubt, however, that Scorsese sees a different city. His is dirtier, edgier, and slightly more full of crime and criminals. Scorsese’s home turf is Little Italy, in Lower Manhattan. On the other hand, New York, New York clearly shows that the two are both jazz fans.

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