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Recirquel’s new production, Paradisum explores the myth of rebirth following the silence of a destroyed world, where the means of communication is the body, and the only common language is movement.

Time and again, Budapest Bár delights the Müpa Budapest audience with their special performances and outstanding collaborators. On this occasion, the ensemble has been invited by Nők Lapja magazine to take the stage in the company of some very special guests. Róbert Farkas, the band’s leader and founder, originally aimed to breathe new life into the genre of Gypsy café music, thereby preserving and revitalizing old traditions.

Evoking the excitement of anticipation and waltzing with angels in the bright starlight, to playfully immerse yourself in the Christmas wonderland.

A Budafoki Dohnányi Zenekar hagyományos újévi koncertje a Müpában, meglepetésműsorral! Budafoki Dohnányi Zenekar Vezényel: Hollerung Gábor

Elgar: Cello Concerto in E minor, Op. 85 Elgar: Seranade for Strings in E minor, Op. 20

A harmincas generáció két átütő tehetségű képviselője, az orgonista Tabajdi Ádám és a trombitás Pálfalvi Tamás mindketten hangszerük legsikeresebb művészei közé tartoznak. A műsor csupa változatosság és szépség.

Johann Strauss: Indigo és a negyven rabló – nyitány Johann Strauss: Futótűz – francia polka Johann Strauss: Dunai sellők – keringő Johann Strauss: Az asszonyok dicsérete – polka-mazurka Johann Strauss: A párizsi nő – francia polka Johann Strauss: Táncok az udvari bálra – keringő Johann Strauss: Viharosan a szerelemben és a táncban –gyorspolka Richard Strauss: Keringő a Rózsalovag 3. felvonásából Guido Mancusi: Római séta – keringő Guido Mancusi: Ahol a bors terem – galopp Guido Mancusi: Arab dűnéken – keringő Guido Mancusi: Railjet Express – gyorspolka

Az Újévköszöntő 2026-ban is egyszerre lesz hagyományőrző és megújuló, bensőséges és ünnepélyes, egy olyan közös ünneplés, amely valódi lelki útravalót ad a közönségnek az új esztendő kezdetén.

Purcell: Music for the Funeral of Queen Mary – March, Z. 860 Elgar: Cockaigne Overture, Op. 40 Britten: Peter Grimes, Op. 33a – Four Sea Interludes

TWO HUNDRED ACTORS. THE STORY OF BETHLEHEM. at 3 and 6 p.m.

Elgar: Enigma Variations, Op. 36 Britten: Soirées musicales, Op. 9

Elgar: Violin Sonata in E minor, Op. 82 Britten: Suite for Violin and Piano, Op. 6

Elgar: Violin Concerto in B minor, Op. 61

Maxim Vengerov, Takács-Nagy Gábor

Elgar: Pomp and Circumstance – March No. 1, Op. 39 Britten: Matinées musicales, Op. 24 Britten: Simple Symphony, Op. 4 Elgar: The Crown of India, Op. 66 – March of the Mogul Emperors

How did the world come to be born from chaos? How can music tell the story of light coming into being? What appears in the score when birds fly overhead or the sea rears up? Haydn’s The Creation is filled with evocative musical tricks, from which Ádám Fischer will select highlights for Müpa Budapest’s traditional New Year’s afternoon concert, one specifically designed for schoolchildren.

We are delighted to be able to welcome back to Müpa Budapest one of the world’s most successful orchestras. The Vienna Symphony Orchestra, which turns 125 this year, raised the roof at the Béla Bartók National Concert Hall in 2021.

Why is the 400-year-old story of Romeo and Juliette, the world’s best known romantic tragedy, still so relevant today? Because love is eternal, the rebelliousness of youth persists, and the world is still filled with inexplicable contraditions.

Elgar: Civic Fanfare Purcell: Abdelazer, Z. 570 – Overture and Rondeau Britten: The Young Person’s Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), Op. 34

After a ten-year hiatus, Hungary is once again hosting a prestigious international ballet competition, organised by the Hungarian Dance Academy for four days between 21 and 24 November.

This full-evening "crime story" of a dance drama takes as its starting point Barcsai's Lover, one of the most estimable of Hungary's balladic treasures. After cuckolding her husband, a wife awaits a terrible punishment. But how did things actually get to this point?

Haydn’s monumental oratorio, The Creation, captivates not only by laying the Enlightenment’s harmonious philosophy bare before us, but also by presenting us with a whole new world.

What could be a more beautiful sounding gift one week before Christmas than a three-part oratorio that is unknown in Hungary and recalls a less well documented part of Jesus’s life, the Redeemer’s childhood?

The guest appearance of the world-famous American maestro Lawrence Foster, who represents the senior age group of the international community of composers, promises to be among the outstanding events of the season. The musician with Romanian parents has conducted the Hungarian National Philharmonic on several occasions and each visit has attracted an enthusiastic response.

Cecilia Bartoli is returning to Müpa Budapest! Any chance to host the world-famous Italian coloratura soprano/mezzo-soprano is a cause for celebration: her appearances are invariably made extraordinary by her cascading displays of scintillating technical feats and the emotional and passionate intensity of her performances.

Szeretett kollégánk és barátunk, Victor Aviat emlékére: Johannes Brahms Esz-dúr intermezzo, Op. 117, No. 1 (Victor Aviat hangszerelésében) Fanny Mendelssohn Gartenlieder – Morgengruß , Op. 3, No. 4 Ludwig van Beethoven D-dúr hegedűverseny, Op. 61 Szünet Richard Strauss József-legenda, Op. 63

Whether we’re talking textiles or literature, “English” is a hallmark of excellence, and the island nation’s music rightfully deserves similar recognition.

An elegantly light repast that feels like it could be served in an aristocratic Viennese palace – under crystal chandeliers and accompanied by delicately tinkling cutlery and heavenly music.

Jazzbois first burst onto the scene at the 2017 Müpa Budapest Jazz Showcase. By 2023, they were hosting Kaláka as guests at the Festival Theatre, and, a couple of years later, they were conquering major international festivals: the Leverkusener Jazztage, the Montreux Jazz Festival, Jazz à Vienne, and the Montreal Jazz Festival, to name but a few. Jamie Cullum also dedicated an entire BBC radio show to the band, including a conversation with Viktor Sági.