Concert, music

Openness and attention to detail are the hallmarks of the Austrian cellist Valerie Fritz’s musical philosophy, whether we are talking gut strings or electronic instruments, early music or contemporary works. She believes that the way to communicate effectively with the audience is through carefully compiled programmes and original concert formats.

The Kossuth Prize-winning pianist János Balázs was 13 when he was accepted to the Liszt Academy of Music's Special School for Exceptional Young Talents in 2002. By the time he finished at the university, he had racked up victories at six international piano competitions.

Richard Strauss and Hugo von Hofmannsthal’s last joint opera, Arabella is a cheerful and poignant farewell to a bygone, peaceful Vienna. It now returns to the MET’s repertoire in Otto Schenk’s 1983 production, following his sad passing this year.

Dare we say in advance that the 41-year-old pianist’s concert will be a wonderful experience? In this case, misleading predictions are not something we need be wary of, the programme and performer are sure to deliver catharsis.

Veronika Harcsa’s response to the relentless growth of AI: IA, that is, InterAction.

“Loved to the gallows” could be an alternative title of Umberto Giordano’s opera, which serves up a grand historical tableau, a love that even defies death, and, last but not least, three brilliant leading roles.

Two trumpets at the same time? Now that’s a party! Gábor Boldoczki and Sergei Nakariakov arrive in mid-December bearing an ideally timed sonic gift in advance of the lights of the upcoming Christmas holiday.

Vincenzo Bellini’s final opera is a veritable apotheosis of bel canto that should only be presented to an audience with performers displaying impeccable technique and stylistic sensibilities.

Vincenzo Bellini’s final opera is a veritable apotheosis of bel canto that should only be presented to an audience with performers displaying impeccable technique and stylistic sensibilities.

Nyíregyházi Cantemus Vegyeskar (karigazgató: Szabó Soma)
Budafoki Dohnányi Zenekar
Vezényel: Hollerung Gábor

The season’s undeniable prestige production, this new Tristan und Isolde features MET music director Yannick Nézet-Séguin conducting, with Lise Davidsen and Michael Spyres in the dual title roles.

Szüts Apor – zongora
Budafoki Dohnányi Zenekar
Vezényel: Hollerung Gábor

Born in Vilnius and with Armenian roots, the soprano Asmik Grigorian is one of the biggest favourites – and no longer an outside favourite – on today’s international opera scene.

The MET’s contemporary highlight of the 2025-2026 season centres on, arguably, art history’s most famous painter couple, Frida Kahlo and Diego Rivera.

The MET’s contemporary highlight of the 2025-2026 season centres on, arguably, art history’s most famous painter couple, Frida Kahlo and Diego Rivera.

Known for her sensitive interpretation of roles, the Finnish soprano Camilla Nylund will once again demonstrate in this evening of lieder what an outstanding performer of the German repertoire she is.