Program


Yuja Wang, Daishin Kashimoto és Andreas Ottensamer koncertje / BTF 2018

Yuja Wang, Daishin Kashimoto és Andreas Ottensamer koncertje / BTF 2018

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Last event date: Monday, April 16 2018 7:30PM

Chopin: Andante spianato and Grande polonaise brillante in E-flat major, Op. 22 

Debussy: Rhapsody for Clarinet and Piano

Stravinsky: The Soldier’s Tale – suite for violin, clarinet and piano

Debussy: Violin Sonata in G minor

Bartók: Contrasts, Sz. 111, BB 116

 

When it comes to finding a spirited, dynamic, powerful trio to perform the clarinet trios of Béla Bartók and Igor Stravinsky, one would be hard put to name a superior alternative to Wang, Daishin and Ottensamer. Yuja Wang, the phenomenal pianist who routinely flutters the dovecotes, and is one of today’s brightest concert stars, needs not be introduced to the Budapest audience. It was the playing of Zoltán Kocsis, he said apropos of his recent stint as the soloist of Bartók’s Piano Concerto No. 2, that he became interested in the work of the Hungarian composer.

Currently a leader at the Berlin Philharmonic Orchestra, Daishin Kashimoto was still a teenager when he won such competitions as the Yehudi Menuhin International Competition for Young Violinists, the Cologne International Violin Competition, and the Viennese Fritz Kreisler Competition.

The Hungarian-Austrian Andreas Ottensamer also plays with the Berlin Philharmonic Orchestra, and his 2015 album of Brahms won an Echo Klassik as the instrumental record of the year. He has earned popular and critical renown with a uniquely beautiful way of playing.

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Az Őrült Nők Ketrece egy olyan hely, ahol mindenki az lehet, aki. Vagy épp az, aki lenni akar. De ha muszáj másnak mutatnod magad, mint aki vagy? Hit, remény, szeretet, munka, család, haza, tegnap, ma, holnap, én, te – és ketten együtt.

közreműködik a Szegedi Szimfonikus Zenekar

The overture to Berlioz's late opera Béatrice et Bénédict is an exciting and dynamic piece of music. Tchaikovsky's Violin Concerto is one of the most popular works of the 19th century: virtuosic and intimate at the same time.

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