Program:
Ludwig van Beethoven: Trio No. 5 in D major, Op. 70/1 („Ghost”)
Felix Mendelssohn-Bartholdy: Trio No. 1 in D minor, Op. 49
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Last event date: Saturday, September 16 2023 7:00PM
Ránki – Stark – Devich: Piano Trios III. / Beethoven and Mendelssohn
Featuring:
János Mátyás Stark – violin
Gergely Devich – cello
Fülöp Ránki – piano
The 2023 chamber music series by Fülöp Ránki, János Mátyás Stark and Gergely Devich will crown each of the four seasons with a concert at the BMC Concert Hall. The young artists will perform a selection of outstanding masterpieces from the piano trio repertoire, from Mozart to Ravel. The first three concerts feature two trios, sometimes highlighting the diversity and variety of the works, sometimes their commonalities, while the fourth programme includes a duo sonata, a testament to the musicians' long-standing duo collaborations.
One of Beethoven's pupils thought he detected the ghost of Hamlet's father in the second movement of the Trio in D major, which is dark and ethereal at the same time. He was not far from the truth: the composer had originally sketched the material for a witch scene in an abortive Macbeth opera. The moody and genuinely witty outer movements are made all the more entertaining by their kaleidoscopic variety. This is one of the first trios in which the three instruments enjoy full equality.
Already a great success at its premiere, Mendelssohn's Trio in D minor was described by Schumann as the master trio of his time, and he predicted that future generations would enjoy it too. The piano takes flight with virtuoso passages, the cello declares broad melodies in the spirit of Italian opera, and the light-footed fairies of the scherzo challenge the pianist with their exuberancy.
Without ever knowing, the heroine of this Vincenzo Bellini opera performs death-defying feats at dizzying heights, while the singer tasked with portraying her is only too aware that hers is one of the bel canto repertoire’s most beautiful and risky roles.
Richard Strauss and Hugo von Hofmannsthal’s last joint opera, Arabella is a cheerful and poignant farewell to a bygone, peaceful Vienna. It now returns to the MET’s repertoire in Otto Schenk’s 1983 production, following his sad passing this year.
A Fiúk különös tükröt tart elénk, amelyben látjuk a „Macsót”, a „Nárciszt” és a „Herkulest” is, így közelről tanulmányozhatjuk a férfilét alaptípusait. Frenák váltakozva jeleníti meg a sovén gyűlöletet, az ostoba követelőzést, a figurák közt fennálló, törékeny erőegyensúlyt a színpadon.
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