Manon Lescaut
Giacomo Puccini
MANON LESCAUT
Opera in four acts, in Italian, with Hungarian, English, and Italian subtitles
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Last event date: Wednesday, February 05 2025 7:00PM
Puccini's imagination was captivated by the love story of Manon Lescaut and the Chevalier des Grieux, in which the protagonists defy social norms and the accepted moral law in order to be with each other, as a similar tale of passion had taken place in the composer's own life: his affair with Elvira Bonturi, a liaison that stirred enormous emotions in him but which, owing to the strictness of Italian law, could not become an official marriage, filled his life. More than one associate tried to talk him out of using the subject, not only because of his own personal proximity to it, but because of the tremendous success of Massenet's own Manon as well. Fortunately, however, Puccini could not be swayed, and his first nationwide success was born, which was soon conquering stages all over the world.
The audience can see this work in a production directed by Máté Szabó.
AUTHORS
Composer: Giacomo Puccini
Libretto based on the novel of Antoine-Francois Prévost by: Domenico Oliva, Giulio Ricordi, Luigi Illica, Marco Praga
Director: Máté Szabó
Set designer: Balázs Horesnyi
Costume designer: Anni Füzér
Dramaturg, Hungarian subtitles: Eszter Orbán
English subtitles: Arthur Roger Crane
Choreographer: András Nádasdy
Chorus director: Gábor Csiki
Composer: Giacomo Puccini
Libretto based on the novel of Antoine-Francois Prévost by: Domenico Oliva, Giulio Ricordi, Luigi Illica, Marco Praga
Director: Máté Szabó
Set designer: Balázs Horesnyi
Costume designer: Anni Füzér
Dramaturg, Hungarian subtitles: Eszter Orbán
English subtitles: Arthur Roger Crane
Choreographer: András Nádasdy
Chorus director: Gábor Csiki
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Miért álmodunk? Mire valók az álmok? Miért vannak a rossz álmok? Ebben a fordulatos, magával ragadó és vicces családi musicalben ezekre a kérdésekre is fény derül.
Argan a wealthy Parisian cares only about his imaginary diseases. This mania makes him selfish and tyrant. He believes only in medicine, pills, treatments – and in his young wife. Everybody who doubts or disagrees becomes an enemy in Argan’s eyes. That’s why he chooses a doctor for his daughter, Angelique, as well. But Angelique’s heart is already engaged…
„Nem fiatalok. Nem szépek. Nem hibátlanok. De ma este színpadra lépnek, és le sem engedjük őket, míg nem marad – alul semmi!”
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